The intense, personal slave narrative of 14-year-old Forty-seven becomes allegorical when a mysterious runaway slave shows up at the Corinthian Plantation. Tall John, who believes there are no masters and no slaves, and who carries a yellow carpet bag of magical healing potions and futuristic devices, is both an inspiration and an enigma. He claims he has crossed galaxies and centuries and arrived by Sun Ship on Earth in 1832 to find the one chosen to continue the fight against the evil Calash. The brutal white overseer and the cruel slave owner are disguised Calash who must be defeated.

Fifteen-year-old D.J. lives in Red Bend, Wisconsin, in a family in which all the boys play football. She's a basketball star. When her father breaks his hip, D.J. must give up sports and do all the milking, mucking, and mowing on their farm. During the summer D.J. trains the quarterback from rival Hawley High and discovers that football is her passion. Natalie Moore does an outstanding job creating such a likable D.J. that listeners will hang on every word.

From a secret perch in a cleared-out Polish ghetto, a boy of eleven waits for his father to return.  He must learn all the tricks of survival under constantly life-threatening conditions

It's almost the end of Miranda's sophomore year in high school, and her journal reflects the busy life of a typical teenager: conversations with friends, fights with mom, and fervent hopes for a driver's license. When Miranda first begins hearing the reports of a meteor on a collision course with the moon, it hardly seems worth a mention in her diary. But after the meteor hits, pushing the moon off its axis and causing worldwide earthquakes, tsunamis, and volcanoes, all the things Miranda used to take for granted begin to disappear. Food and gas shortages, along with extreme weather changes, come to her small Pennsylvania town; and Miranda's voice is by turns petulant, angry, and finally resigned, as her family is forced to make tough choices while they consider their increasingly limited options. Yet even as suspicious neighbors stockpile food in anticipation of a looming winter without heat or electricity, Miranda knows that that her future is still hers to decide even if life as she knew it is over.

Sixteen-year-old Torey Adams and his friends remember beating up Chris Creed when his gentle but obnoxious ways exasperated them. Now that he is gone, they joke uneasily about him to ease their guilt. The town is full of ugly rumors, as Torey's lawyer mother tells them "See, guys, this is what happens when a kid suffers a personal tragedy. Nobody wants to take responsibility. Nobody wants to admit they had a part in it. So, they spend a lot of time pointing the finger, and things just get worse and worse." The three try to solve the mystery of Chris's disappearance by attempting to steal his diary, but only succeed in implicating themselves, as the town is consumed with rumors and the revelation of adult secrets.

He talks to the dead.  The dead talk to him.  Teenage loner Murray Kiefer has found comfort and companionship by visiting with the dead in his local cemetery. Schoolmate Pearl is more outgoing and confident; she lives with her widowed father, the caretaker of the cemetery. A third teen, cheerleader Nikki Parker, has disappeared, and everyone speculates about whether she'll be found alive. Price weaves the stories of these characters-and those of a drunken cop, a trusting and loyal father, and a jaded but smart detective-into a murder mystery with compelling psychological and spiritual overtones.

In this powerful and unflinchingly stark story, Emma Boudreaux often reaches into the past to try to understand the present. Her father is black and her mother is white, and the teen is trying to find her place in a world in which she feels like an outsider. Her brother, Bernie, strong and perfect and comfortable with his blackness, is her anchor, her compass. When he has a freak accident and becomes a vegetable, Emma feels abandoned and emotionally isolated. Left alone to discover who she is, she explores the past, especially her father's, Princeton professor Bernard Boudreaux. His own narrative reveals grim secrets and a twisted, tortured journey through family history to the present. At its darkest and most painful is the lynching of his father before he was born. It will take all of Emma's strength and resolve to survive, and to escape the shadowy and painful legacies that ensnared her father and brother.

After rescuing his baby brother from an open window's ledge, 15-year-old David Case concludes "just two seconds were all that stood between normal everyday life, and utter, total catastrophe." Convinced that Fate is toying with him, David tries to elude detection by creating a new identity, starting with his name and his wardrobe. Eventually, he refuses to return home and plunges into an affair with an older girl. In frequently inserted passages, Fate actually speaks, and it's clear that David's fears are warranted.

Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.

Prep is the story of Lee Fiora, a South Bend, Indiana, teenager who wins a scholarship to the prestigious Ault school, an East Coast institution where "money was everywhere on campus, but it was usually invisible." As we follow Lee through boarding school, we witness firsthand the triumphs and tragedies that shape our heroine's coming-of-age. Yet while Sittenfeld may be a skilled storyteller, her real gift lies in her ability to expertly give voice to what is often described as the most alienating period in a young person's life: high school.

From the day she arrives at quiet Mica High in a burst of color and sound, the hallways hum with the murmur of “Stargirl, Stargirl”.  She captures Leo Borlock’s heart with just one smile.  She sparks a school-spirit revolution with just one cheer.  The students of Mica High are enchanted….at first. 

A 16-year-old rebels against the conventions of her strict Mennonite community and tries to come to terms with the collapse of her family in this insightful, irreverent coming-of-age novel. In bleak rural Manitoba, Nomi longs for her older sister, Tash ("she was so earmarked for damnation it wasn't even funny"), and mother, Trudie, each of whom has recently fled fundamentalist Christianity and their town. Her gentle, uncommunicative father, Ray, isn't much of a sounding board as Nomi plunges into bittersweet memory and grapples with teenage life in a "kind of a cult with pretend connections to some normal earthly conventions." Once a "curious, hopeful child" Nomi now relies on biting humor as her life spins out of control—she stops attending school, shaves her head and wanders around in a marijuana-induced haze—while Ray sells off most of their furniture, escapes on all-night drives and increasingly withdraws into himself. Still, she and Ray are linked in a tender, if fragile, partnership as each slips into despair. Though the narration occasionally unravels into distracting stream of consciousness, the unsentimental prose and the poignant character interactions sustain reader interest.

Many secrets bubble just beneath the surface of this skillful thriller narrated by a high-school senior who has been accused?and acquitted?of murdering his girlfriend. David Yaffe moves from Baltimore to Cambridge to avoid publicity, but instead of finding refuge with Uncle Vic, Aunt Julia and cousin Lily, he is shown to their attic apartment and expected to fend for himself. His relatives appear to be conducting a cold war. Still blaming each other for their daughter Kathy's suicide four years ago, Julia and Vic have stopped speaking to each other. The one who suffers the most from their silence is 11-year-old Lily, who shows signs of being emotionally disturbed. Suspense rises to a feverish pitch as pieces of a complex puzzle fall into place, involving Kathy's death and Julia and Vic's estrangement from each other and from David's parents.

Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. Extrordinary book!